Tess de Quincey, photos: Simon Hunter

Cologne 1988
Everything was endless with a maximum of intensity and a minimum of movement. There cannot be less movement to tell such a complex tragedy without words. Tess de Quincey was so powerful that she needed neither the light changes not the wire of the set for her 'Movement on the Edge'.

Kurt Peters
Ballett-Journall Das Tanzarchiv, October 1988